song called faithful

At the end, Smith hugged Stipe and her children and then Bruce, and the two walked offstage companionably holding hands. February 7 / Qudos Bank Arena / Sydney, AU ), all in the service of the most unified narrative he's ever put on stage. hi looking for a song.. its a love song, about falling in love with your friend, pretty basic. Dancing in the Dark (acoustic) As the song twisted and turned, Bruce gave it his all before confiding, "the band has this all fucked up!" We shook his hand, thanked him for his service and sacrifice to our country, and told him how proud we were of him. Listening to their voices intertwine, I was catapulted back to 1988, 30 years ago this winter, watching Bruce and Patti share a mic (and a surprising amount of personal space) on "Brilliant Disguise." Dancing in the Dark/Land of Hope and Dreams (guitar) "Better Days," "The Ties That Bind," and "Out in the Street" made a mighty triumvirate. A song at the end of the day can be about a lot of things — about my town, about your town, about New York City and even personal things that you've lost." My City of Ruins The Ties That Bind Born to Run (guitar). Radio Nowhere March 9-10 / Walter Kerr Theatre / New York, NY Again we have the white horse, and the rider. Good, then on your drive home, if you see a spare kangaroo, I want you to pull over by the side of the road, get out of your car, and tell them you've just seen…" — you know the rest. at 10:35 before departing — but this night's sustained energy (and perhaps very hot summer temperatures) demanded an earlier-than-usual exit. Well, while we like the idea of a bit more appropriate audience decorum for this new venture (we're not gonna actually make him tell us to "shut the fuck up," are we? For decades, his concerts have been described as feats nothing short of miraculous, and he has discussed his own songwriting in terms of a magical act: creating, from out of the air, something where there was nothing before. The description reminds us of the opening of the first seal. I'm Goin' Down Backstreets Hits, rarities, requests, and a man and his band who are prepared night after night to go out on a limb and create magic. Youngstown 3! So we say to the eye rollers, naysayers, unbelievers, anyone who questions our devotion to E Street. On a night of highlights, the final three songs of the main set — "Because the Night," "Badlands," and "Thunder Road" — may have been the pinnacle of a mountain we've been to many times before, only this time we pushed to a higher summit. - 2001 Setlists We'll be seeing ya." "Be Faithful" is a song performed by American hip hop artist Fatman Scoop, featuring and produced by American hip hop duo The Crooklyn Clan. With the eastern sun rising at our backs, the deep reds and browns of the plains and hills came to life. And buying Johnny's guitar at a broker shop a hammer blow to those who would vilify the historical lifeblood of the U.S.A. "My Love Will Not Let You Down" had the pit bouncing and the band surrounding Max as he pounded the song to a rousing close. In Bruce's own words: "We swore forever friends… that was the deal, right?" Candy's Room Downbound Train No Surrender Those who predicted a third night in a small venue might be treated to full River performance weren't dead-on, but there were more songs from the album here than the previous two nights. Thunder Road (guitar) Early arrivals took shelter in the alley beside the theater, where E Street Radio's Jim Rotolo and Dave Marsh were hosting a pre-show broadcast, interviewing fans and some only-in-New-York celebrities. Because the Night The resulting feeling of intimacy accounts for a considerable part of the show's power — it's certainly part of what you're after when you pay your money down — and it's difficult to imagine this performance playing nearly as well in a larger hall. Blessed was our baptism by six-string. I Saw Her Standing There. After the previously mentioned succession of "Shit is fucked up" quips and "You got to bring us up tonight," Bruce bent low and shushed the crowd from just above the pit. — Bruce grabbed an acoustic and harp gear from Kevin, made his way back to center mic, and played a "Thunder Road" lullaby to a sea of smiling faces and smoldering full moon. Dancing in the Dark/Land of Hope and Dreams (guitar) The Promised Land (guitar) Born in the U.S.A. (guitar) Strange Brew (Ribler & Upstagers) The Wish (piano) And the sweet chorus of "The Wish" — with the line "I'm older, but you'll know me in a glance" — became all the more poignant. Tonight, from the mighty bastion of E Street, the cannons were aimed squarely at the forces of hate and division back in the States. Follow That Dream Historians like Daniel Wolff (Fourth of July, Asbury Park) and Charles and Margaret Horner (Classic Urban Harmony) have been wise to explore this complicated history not by being all-inclusive, but by honing on particular aspects of the story — a key theme or genre, a particular series of events. and the crowd ("Let's hear it for Steve… not too much…"). Take It Easy (with Jackson Browne) Tenth Avenue Freeze-out the opening guitar cry of "Darlington" was as blatant a statement as "American Land" had been earlier in the tour. "Because the Night" (with Nils's searing solo and Max's wondrous drumming) led into "She's the One" and "Badlands." Dancing in the Dark My Hometown (piano) To say his singing in the final furlong was magnificent would be underselling it. There was a lovely reception in the State Dining Room for an hour or so. The story of Asbury Park in many ways is a story of America in microcosm, a conundrum that demands a long-form, multi-episode format. What we got were three hours of steel and smoke, heart and bone. "I'm Goin' Down" started with an examination of the State of the Springsteen Household that had Bruce mimicking his limited appeals — "But… but… but… but" — versus the blunt instrument that is Patti's "Who the fuck do you think you are?" I wasn't alone. Shout What a moment to hang on to, thanks Bruce. Setlist: A DJ is spinning a mix of hip-hop and obscurities, typical hipster soundtrack. No records were broken for show length, but you know what they say about quality over quantity. This week, the citadel of rock 'n' roll has temporarily relocated to Brisbane, Australia. Born to Run (guitar). And there's nobody coming down here. Bruce out amongst us before directing his band to the song's gentle finish. - 2005 Setlists He borrows the notion from his own "Frankie Fell in Love" and repurposes it during this performance, suggesting that logic doesn't always apply when it comes to extraordinary phenomena like these. Spirit in the Night After playing it once, they made a snap (and wise) decision to play it again. Last we were instructed by the Boss to put on our dancing shoes as he busted out "Dancing in the Dark." We're at the mercy of a lingering force too raw to be tamed. With Bruce and Steve flailing on acoustics while Nils and Garry stood on either side offering advice, the crowd got out jumper cables, attached them to their vocal cords, and began signing the song's melody en masse. Because the Night Johnny 99 Professor Roy kicked it off, and Bruce and the band followed. She's the One There was no gap between these two, as Bruce segued right from one to the next. Notes: Patti Scialfa is absent, so "Long Time Comin'" and "The Ghost of Tom Joad" thake the place of the duets. Murder Incorporated Bruce seemed especially eager to mingle with the crowd tonight and did so with gusto when joined by Steve for River feel-gooders "Out in the Street" and "Two Hearts." Both tour closers sent Kiwis and Aussies and global denizens of E Street Nation into the night with aching feet, strained vocal chords and the usual conjecture about when (if?) Shout Cover Me - Sean Sennett reporting - photographs by Bill Donohoe, Setlist: October 5 / Walter Kerr Theatre / New York, NY Out in the Street Mid-"Glory Days," out on the center thrust, Bruce looked at Steve and asked, "Is it lunch time? Tenth Avenue Freeze-out (piano) Took him a few moments, but he eventually deduced, "I get it — it's a kiwi!" (If the well inebriated strangers standing next to me are reading this, "41 Shots" isn't a drinking game). Just last week wildfires raged in Port Hills, only a few kilometers from the Christchurch CBD. So it's refreshing to find him rediscovering his comic gifts of late, first with the Born to Run memoir, equal parts eloquent and uproarious, and now with Springsteen on Broadway, which aims even more squarely for laughs, but never unearned ones. he hollered as the band reassessed where to jump in. Thank you, brother. Born to Run We're a long way from home, and our hearts and spirits are with the hundreds of thousands of women and men who marched today in every city in America — and in Melbourne! Alas, this wasn't a concert but a ceremony that was being televised, so strict timelines needed to be adhered to. A full moon will be out. My Father's House (guitar) "Death to My Hometown" spread the band across the stage like a holy noise army, Bruce once again spitting the line "No dictators were crowned" like a bug had just flown into his mouth. The Promised Land I Fought the Law The Ghost of Tom Joad (guitar) This is my song of praise to you For who you are and all that you do From the moment my life began, you have been faithful Father, I love the way you hold me close and say my name I know, when my life is through my heart will find it's home in you This is my song of praise to you For who you are and all that you do The Ghost of Tom Joad (guitar) * * * Setlist: I'm on Fire Sherry Darling But with these two lifelong friends and music partners sharing the mic at center stage, the performance became one for the ages. It may have been an embarrassing day to be an American in Australia, but as rockets' red glare mingled with Southern Hemisphere starlight it was a great goddamned night to be a Springsteen fan in the city of Melbourne. Nonetheless, a thrilled audience leapt to its feet when the curtain drew back to reveal Little Steven and his new Disciples lineup augmented by a certain Freehold native on Gibson guitar and, to his left, former local whiz kid David Sancious and another local bandleader by the name of Southside Johnny. Like a river that knows exactly where it's flowing, he moves through Broadway with confidence and purpose, all while nodding at something deeper roiling below the surface. Subscribe Now! Adam Raised a Cain It didn't help when Bruce went on walkabout during "The Promised Land" and had to run up the ramp at song's end — had me thinking of Hyde Park's "Give me an elevator! A sign request followed for "I Fought the Law," played a little tentatively but still a very nice nugget for the diehards. Rosalita Notes: Springsteen on Broadway runs Tuesday through Saturday nights, before a late-April break. The best a fan could hope for? Somewhere in the middle of the evening's performance, after establishing his roots, Springsteen pans back. Lonesome Day So that would be the last rarity of the evening, and from there the show went into a string of big rockers, which were completely effective in getting the crowd up and dancing. "Hungry Heart" got the collective house singing. - 2009 Setlists Part 2 Wrecking Ball He's replacing cynicism with glee, again. Everyone on stage seemed to grow a couple inches in anticipation of the fight to come — this train was taking no prisoners. Long Time Comin' And we have a new album. Another fat-free extravaganza included one Aussie tour premier — Little Richard's "Long Tall Sally" — and 27 tried-and-true scorchers. Never has Springsteen been as unpacked or as settled-in for a run of shows. Born to Run (guitar). ", His physical delivery, too, has been calibrated for the small stage. The Promised Land (guitar) Bruce went on another extended walkabout for "Tenth Avenue Freeze-out," and "Shout" had hands flying and asses shaking. But this is not a series of concerts — it's a one-man show (with all due respect to Patti) that Springsteen has carefully crafted, rehearsed, and honed to perform night after night. "Something in the Night" wasn't on our fan line protest song list, but it should have been. The Wish (piano) Springsteen stayed on stage for one more song as Bryan explained it was time to return the favor and play one of Bruce's tunes. For however much he let the songs themselves speak his truth, Springsteen also seemed looser, more at ease, and spent a lot of time reaching down into the crowd, holding hands, high-fiving, and most obviously concluding "Hungry Heart" with a ride-of-a-thousand-fingers courtesy of eager pit denizens. At song's end Bruce thanked the crowd as if they were done, and I don't think anyone would've gone home unhappy. Setlist: Thunder Road (guitar) Like the tour's previous high at AAMI Park a week ago, this show wasn't about rarities or reflection ("New York City Serenade" went unplayed for the first time). The sadness is still there — enough, apparently, to reduce Reese Witherspoon to a sobbing puddle of tears — but on second viewing you realize how laugh-out-loud hilarious the show is, right alongside the melancholy, often in the very next breath. A you-had-to-be-there performance, one not defined by setlists or duration or letters home. But Springsteen on Broadway really is that good, and five months in, it's only getting better. Born to Run (guitar), October 7 / Walter Kerr Theatre / New York, NY Music.Spotify: https://spoti.fi/2rI7WKZiTunes/Apple Music: https://apple.co/2IFDo6bGoogle Play: http://bit.ly/2wGkozYAmazon Music: https://amzn.to/2KqGRmjPandora: https://pdora.co/2rGYabZAlbum available at http://www.maranathamusic.com/storeGreat Is Thy FaithfulnessWilliam Runyan, T. O. Chisholm©1923, 1951 Hope Publishing CompanyFacebook: http://on.fb.me/1SxBUbGInstagram: http://bit.ly/1UtLPxmTwitter: http://bit.ly/1PdItuA What stayed the same — what always stays the same — was the protagonist's desperation ("You know what the Boss man likes") to get good with his girl. The Ghost of Tom Joad (guitar) "Here we are in Asbury Park, New Jersey, just where we were 75 years ago!" Notes: Who wouldn't want to spend Valentine's Day with Bruce Springsteen? Hungry Heart The Ties That Bind Tenth Avenue Freeze-out (piano) The history of the Upstage and the larger story of Asbury Park's rise and fall are vast and complex topics that don't easily lend themselves to the 90-minute documentary format. Born to Run The Promised Land (guitar) "Is the band with me? Thunder Road (guitar) Seriously mate, why do you do it?". Did Bruce know that Gary Cohn, Trump's recently departed economic advisor, was in the audience? New York City Serenade (with strings) Born to Run With Jake beside them at the lip of the stage, the three hammed it up for the hundredth time, Jake's boyishness perfectly complementing the knuckleheaded tomfoolery of Bruce and Steve's Moe and Curly routine and it was all fresh and funny, still a ridiculous testament to rock 'n' roll rebellion. Nils was his usual energetic and upbeat self all night, but here he got to howl at a rising full moon with a typically jaw-dropping guitar solo. I join the jubilant throng and behave in a manner better suited to a Misfits mosh pit. But rock 'n' roll prevails, and he does indeed carry on to close the show with a full-band version of "Thunder Road. American Skin (41 Shots) The band completely hit it out of the park, and the gig will go down in the annals as one of the best that ever happened in the river city. (A tip from this Backstreets reporter: If you have a once-in-a-lifetime shot at taking a selfie on stage with Bruce Springsteen during a show in front of thousands of people, get it right the first time. Tenth Avenue Freeze-out On Saturday night, even if it were just Van Zandt by himself at the mic, the song would have packed a powerful punch. Youngstown Exhausted, we shook the ground with sore feet and punched the air with arms wet from sunscreen and sweat. So a fan returning to Broadway, five months into the run, could legitimately wonder if the star might feel hemmed in by repetition, caught in his own scripted trap. Pete Souza was seated in the front row to the stage-left side; he was up and down and around the room all night taking photos (and also singing along silently to all the songs). You had to love Bruce and Stevie's banter: "What time is it? A wild, joyous, goofy, exhausting "Rosalita" ended this foursome of '70s thunderclaps that's a fountain of youth to older fans and an affirmation of rock 'n' roll's power to those weaned on a variation neutered by corporate-owned radio monopolies and TV "talent" shows. Tougher Than the Rest (piano) - with Patti Scialfa Springsteen This one bound young and old, hardcores and newbies, bogans and hipsters, Hawks and Magpies. Spirit in the Night Tears of joy and sadness like I've never seen at a concert before. SongSelect is the definitive source for worship song resources. Tenth Avenue Freeze-out Spirit in the Night But that's the miracle of any Springsteen performance, in any setting: all the years seem to gather into a single night, compressed into that "everlasting NOW" that's sustained Bruce and so many of us for so long. If Sunday's show was in response to external forces, the intrusion of the wider world, tonight's existed solely within the comparatively small confines of Perth Arena. I heard someone in the crowd say, "this is the first time I have felt happiness since November ninth," and the feeling on this night was that Bruce Springsteen would guard our American dreams and visions — he has and always will. A pair of questions broke the spell: "Are you in the house tonight?" I was lucky enough to have heard its creation while sitting on the sand outside Asbury Park's Convention Hall, so this song always beats from within, but tonight it was a right cross to the face. September 30 / Air Canada Centre / Toronto, ON

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